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He does sound manly, just not evil enough. When Ra's al Ghul apparently dies after a battle with Deathstroke, Batman must work to stop his long-lost son from taking revenge and guiding him to a righteous path, in addition to the chance for the pair to truly acknowledging each other as family. Part to blame is also the writing, which is very cheesy at certain times. If however, you're like me, and willing to laugh at the holes that machismo can sometimes dig for itself, you'll laugh your ass off. More than once I even wondered if somewhere out there was a producer who would find the cash to do this live action but given the audience expectations for a live action BATMAN, especially after Dark Knight, I guess that REALLY WOULD BE A FANTASY. His victory is not without a cost, the price his right eye; taken by Ra's own grandson Damien. He has that kind of a deep, warm-voice, which made me think he's a good guy deep inside. Main problems being Batman and Deathstroke. A good portion of why is thanks to the pacing. Which is what I did.
Batman learns that he has a violent, unruly pre-teen son with Talia al Ghul named Damian Wayne who is secretly being raised by Ra's al Ghul and the League of Assassins. When Ra's al Ghul apparently dies after a battle with Deathstroke, Batman must work to stop his long-lost son from taking revenge and guiding him to a righteous path, in addition to the chance for the pair to truly acknowledging each other as family. After Ra';;s Al Ghul killed Deathstroke, occupied the company and went watch the mother and daughter, Talia took Damian to live with Bruce to ensure the safety. An absolutely incredible work of art that should not be missed! This movie is an ideal portrayal of sectarianism that seems to divide this nation along invisible lines - the lines of sham philosophies and treacherous coteries. Each actor has done more than justice to his presence, yet Paresh Rawal ruled the screen. Emily A de wrote: Okay, if you're like a friend of mine, who finds scenes of extreme awkwardness so uncomfortable that you're not even willing to sit through them squirming , then stay well away from this film. If however, you're like me, and willing to laugh at the holes that machismo can sometimes dig for itself, you'll laugh your ass off. Which is what I did. I guess I see something of myself in the speech patterns, vocabulary and points of views of these characters, and I can completely root for these two confused jackasses. While they're drunk at a party, they decide to enter an amateur porn competition, and they hang onto the idea once they sober up the next day. Their pact to screw each other on camera becomes a dumbass game of pseudo-intellectual sexual chicken. They end up investing way too much of their identities in their pact, despite the fact that they both have real, actual and valid reasons to go through with it. Ben wants to prove to himself that he's not the button-down domestic prude that he looks like, and Andrew wants to prove to himself that he's the Bohemian artist that he believes himself to be. But despite their platonic closeness and their obvious brotherly love for each other, they have to struggle to find some way to overcome their biggest hurdle: namely, neither of them are the slightest bit gay. This movie is such a scream. It's not often that a pair has to have impossible sex to save the friendship, but here we are. Man, I love this movie so much.
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